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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

The Huntington's 30th Anniversary Season

The Huntington Theatre Company, Boston's leading professional theatre company since 1982, is launching into their 30th Anniversary Season this year. Tickets went on sale yesterday for a season that includes Mary Zimmerman's acclaimed production of Candide, the completion of August Wilson's 20th Century Cycle with Ma Rainey's Black Bottom (ironically, his first hit play, and the last that the company is producing), the hit New York comedy God of Carnage (the film of which, directed by Roman Polanski, comes out in November), and Noël Coward's Private Lives, along with three world premieres. I've spent the last few weeks re-designing the Huntington's website to fit with the new 30th Anniversary branding image, and I have to say, I'm pretty happy with the results. Check it out — and while you're at it, maybe treat yourself to one of our shows along the way.

Oh, also? The entire season is going to be presented in SHOCKING REAL-D 3D! [youtube=http://www.youtube.com/watch?v=P9rjonTUwW0]