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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

A Retrospective Look at Jane Austen's Brain-eating Habits

Can you believe it's been 5 years since the release of Pride & Prejudice & Zombies?  And just over 200 from the release of the original novel? Well, to celebrate, the folks at Quirk Books (who published ...and Zombies and its followups, as well as many other fine collections of pulped trees) asked me to do some digging and explore the past, present, and future of their massive mashup mega-hit -- where it started, how it worked, and what it did for the company over the last 5 years. The short answer is that it basically launched their entire fiction line, which is now tremendously successful -- and also served as an accidental omen to our current pop-culture status of zombie overload (seriously! They beat the trend! But barely). For the long answer? Check out my 3-piece retrospective on Pride & Prejudice & Zombies on the Quirk website.