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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

If you care about #DiversityInSF — or diversity in general — you should help make this awesome anthology happen.

The sequel to Locus and World Fantasy Award-nominated book Long Hidden edited by Rose Fox and Daniel José Older, Hidden Youth is a new anthology featuring fantastical short stories from the margins of history — young adult sci-fi and fantasy stories about oppressed and marginalized groups throughout the generations.

Also, it includes a story by me. "An Baile na mBan" is about Irish Travellers, Irish Nationalism, abortion, and, uhhh, sketchy púca faeries using women to enact their revenge on the Provisional IRA. Obviously.

Did I mention that this will be my first professionally-published (as in, paying SFWA rates) piece of original fiction?

So as you might figure, it means a lot to me. But it won't actually happen unless the anthology reaches its Kickstarter goal of $23,000 by Wednesday, July 6, 2016.

tl;dr — help a brother out, and tell your friends to do the same. KTHXBYE.

My latest comic book, "iCthulhu," is now on sale!

Grayhaven Comics' latest anthology issue, The Gathering: Sci-Fi Volume 3 is now on sale, and features a short sci-fi action comic by me and my good friend Dave Ganjamie!

Dave and I were bouncing ideas around when he made the intentionally-absurd suggestion of doing a "Futuristic Lovecraftian steampunk horror story." I decided to take this challenge literally...and thus, iCthulhu was born!

Our story is just one part of a 48-page anthology featuring tons of great creators, and the whole thing will only cost you $3.50, so what are you waiting for? Buy it before it becomes a rare and valuable collector's item!

A little sneak peek at Dave's awesome artwork...

A little sneak peek at Dave's awesome artwork...


Post-Turkeypocalypse

Ambling sloth-like through the wasteland, breathing in a noxious haze of tryptophan and sickly sweet liquor, I plod past the pestilent pond of porcelain piled high in endless pillars, towards the puddles of putrid fat liquidized and pooling on the plates, once poured steaming over broken bones now dripping down the drain while the last vestiges of flesh hang threadbare off that osseous matter. Small hands have left their mark behind them, stained and sliding down the wall as if grasping for some invisible rungs to rescue them from wrath. Meanwhile, that gelatinous glob of congealed red mass continues to vellicate on the floor, a ceaseless tremor that suggests its sentience. Yet somehow, the empty glass and glasses have survived the slaughter mostly intact, only weathered and worn by overuse though now dirty, discarded and disheveled down among the grateful undead whose virile corpses litter the living room furniture until such time tomorrow that consumption might continue.

Happy Autumn Equinox — now here's an Ode to Candy Corn!

rounded wax wedges, waning; a tawny
base that tapers towards a soft point
white like tundra, in taste and texture,
bleeding out from burning copper ribs
hardly mellow hardened creme
of candle crops to harvest fat
free treats, a sign of times once pagan-
pluralistic-primal-precocious-pre-
human, uncivilized, re-captured,
re-claimed, costume the dead alive
and turn the season, turn to shovel
handfuls into mouths full of rotting
teeth a special offer, a limited time only
exciting when available but hardly
missed in memories of stomaches
turned to sick, in children as in men
but indulging in each dish we find it
harder to resist the solstice sweets
and let ourselves get lost inside
that sadistic sugar maize

 

(see also: "It's 'It's decorative gourd season, motherfuckers!' season, motherfuckers" by the inimitable Will Kaufman)

Up and Worthy!

Just a friendly update to show what I've been up to at Upworthy these past few weeks! First, here's a slideshow put together by our Editorial Director, Amy O'Leary, detailing the company's new direction (with the secondary purpose of pre-emptively shutting down your rehashed "clickbait" jokes*):

While I'm still getting the hang of the system (it's only been 2 weeks, after all), I've still got a few stories up that you can check out. It's mostly coincidence that the subject matter is, well, pretty much right my alley. I've also got a new Official Writer-y Facebook page, if you want to follow all of my (strictly professional!) adventures.

*I can say that, because my own jokes are half the reason that I work there now.

Buy My Poetry In This Month's Issue of ASIMOV'S Science Fiction Magazine!

My time travel love poem "I Loved You More Last Time" is now available in the February 2015 issue of ASIMOV'S Science Fiction Magazine (along with a poem by my Clarion classmate and recent winner of Apex Magazine's Story Of The Year, Marie Vibbert). 

As far as I can tell, Asimov's is erm, not very good at making online purchases easy for anyone. But you can pick up the current issue or subscribe on Kindle, Nook, and iTunes Newsstand (unfortunately, I don't know the exact cut-off date for when the current issue ceases to be "current," and I can't figure out how buy specific back issues either). I'll also have a small stash of hard copies available for direct purchase (more info to come).

My ARISIA Convention Schedule

I'll be at the Arisia sci-fi / fantasy convention in Boston this coming weekend, speaking on a few panels and generally hanging around. I've never been to Arisia before, nor have I ever been on any convention panels, so I'm doubly excited (and very much hoping that I don't say anything too stupid).

Anyway, here's where you can find me. Come say hi!

  • Neurodiversity in SF/F
    Saturday, 11:30am-12:45pm in Marina 2 (2E)
    How are autistic and other neurodiverse characters presented in SF/F? What works handle this subject well, and which do not? Who are some neurodiverse authors whom we should all be reading? And how, as a genre, do we move beyond stories only focused on a “cure”?
    with Don Sakers, David G. Shaw, and JoSelle Vanderhooft
     
  • DC Comics on the Small Screen: 2015 Edition
    Saturday, 5:30-6:45pm in Marina 2 (2E)
    For all of DC’s much-disdained recent lack of creative success on the big screen, they’ve put together a string of received cartoons going back over twenty years ranging from episodic (Batman) to serialized (Young Justice) to goofy (Teen Titans Go). They’ve also launched multiple TV series, including Arrow, The Flash, and Constantine, even as their actual comics have become a pit of creative despair. We’ll discuss DC’s success (and occasional flop) over the years on television.
    —with Nomi S. Burstein, George Claxton, Jaime Garmendia, Dan Toland
     

  • Behind the Bristol Board: Comics as a Profession
    Saturday, 7-8:15pm in Marina 4 (2E)
    If you’re a comics fan, odds are you’ve thought about what it’s like to actually work in the comics industry. This panel will feature working professionals explaining the ins-and-outs of everything from writing and drawing, to editing and publishing. It’s everything you ever wanted to know about being a comics pro, but were afraid to ask.
    —with Ken Gale, Bettina Kurkoski, Alisa Kwitney Sheckley, Mercy E Van Vlack
     

  • Superman and Religion
    Sunday, 11:30am-12:45pm in Burroughs (3E)
    Superman remains an enigmatic figure in American mythology. Created by two Jewish kids from Cleveland, perhaps as a metaphor for Jewish assimilation, Superman also represents a Christlike figure in many stories, and the screenwriter of Man of Steel consulted, among other sources, the Sumerian epic of Gilgamesh. Does the wide cast of Superman’s religious influences render him a defender-of-all-faiths? Can any religion claim him as one of their own? Come explore this thorny issue with Arisia 2015.
    —with Michael A. Burstein, Ken Gale, Alex Jarvis, Daniel Miller
     

  • Story Autopsy
    Sunday, 2:30-3:45pm in Alcott (3W)
    Our group of panelists takes a few well-known works of genre fiction and picks them apart to show you how they work, why they work, and in some cases point out the parts that don’t work at all. If you don’t like spoilers this is probably not the panel for you.
    —with M. L. Brennan, James L. Cambias, John P. Murphy, Ian Randal Strock
     

  • The Medium and the Message
    Sunday, 5:30-6:45pm in Hale (3W)
    A story can be told in a multitude of formats. Anything from short stories and epic poems to graphic novels and screenplays can be used to convey a narrative. How do the various formats compare? Do certain genres work well in one but not another? What about translations from one medium to another? How can you tell which works best for your story?
    —with Heather Albano, Alexander Feinman, John G. McDaid
     

  • Writing and Racial Identity 
    Monday, 1-2:15pm in Hale (3W)
    What does your race have to do with what you write? Depending on your race, are certain topics forbidden to you? Obligatory? None of the above? If your race matters, how do you know what it is? By what people see when they look at you, or by what you know of your genetic background? By your cultural upbringing? By what you write?
    —with John Chu, Mark Oshiro, Victor Raymond

"The World Is, Generally and On Balance, A Better Place To Live This Year Than It Was Last Year"

...according to this uplifting article by Ramez Naan, anyway, but also according to Spider Jerusalem, my favorite fictional anti-authoritarian druggie bastard liberal journalist of all time, whose voice and opinion are clearly superior to any non-fictional persons real or dead (other than Warren Ellis or Hunter S. Thompson).

So before you pop that bottle of bubbly, here's one of my favorite short comic book stories of all time—about winters, futures, and totally sweet snowblaster guns. Happy new year!

Legal-y things: Transmetropolitan was written by Warren Ellis with art by Darick Robertson. I did a quick & simple Google search for these page images, but it was originally published by in "Vertigo: Winter's Edge #3" and later re-printed in Transmetropolitan Vol. 4: "The New Scum". And you really need to read Transmet if you haven't yet.

Also, thanks to Jenna Scherer for reminding me of my own annual posting of this delightful message.

JRR Tolkien's Top 10 Tips For Writers

I feel like I'm supposed to make a snarky comment about Peter Jackson* in order to contextualize this, but the truth is, I haven't even seen The Desolation of Smaug or Battle of the Five Armies yet, because I found An Unexpected Journey to be little more than an overlong cut-scene from a corny Tolkien-themed Disney ride. But anyway, this is still fun!

*For the record, I was even skeptical when Jackson was first announced as the director of The Lord of the Rings trilogy, because he was one of my favorite go-to directors for my frequent Horrible & Horribly Offensive B-Movie nights back in high school. Don't get me wrong, Beautiful Dreamers and The Frighteners are both pretty fantastic — but Meet the Feebles? Dead-Alive? Bad TasteLet's just say that he's better telling someone else's story than his own.

Although, he did give us this:

All The People That You'll See At Every Nerd Convention

Whoa. I don't know how I missed this until now, although it feels particularly timely with New York Comic-Con this weekend (I'll be there doing coverage for Bleeding Cool and Tor — let's hang out!). Dorkly artists Julia Lepetit and Andrew Bridgman created these infographics breaking down every single stereotype you're likely to find at a comic book / video game / general geek culture-based convention, and, well, they're all pretty accurate (not to mention utterly hilarious). 

Whether you've been to a con or not, you'll be amazed at how long this list keeps going. And every single caricature is remarkably accurate. So I guess it's good that there are so many, because at least we're stereotyping people into too broad of categories? Sure, that sounds like a rational justification for laughing at other people (most of whom are just like me).

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An Ode to Candy Corn

I wrote this poem a few years back, but I thought it'd be fun to share again. Really it's just a long and convoluted way of saying, "That shit's gross, man; so why do I keep eating it?"

rounded wax wedges, waning; a tawny
base that tapers towards a soft point
white like tundra, in taste and texture,
bleeding out from burning copper ribs
hardly mellow hardened creme
of candle crops to harvest fat
free treats, a sign of times once pagan-
pluralistic-primal-precocious-pre-
human, uncivilized, re-captured,
re-claimed, costume the dead alive
and turn the season, turn to shovel
handfuls into mouths full of rotting
teeth a special offer, a limited time only
exciting when available but hardly
missed in memories of stomaches
turned to sick, in children as in men
but indulging in each dish we find it
harder to resist the solstice sweets
and let ourselves get lost inside
that sadistic sugar maize