The FBI had more than 500 pages of records on Barnette. Now, nearly five decades later, he and his family got to see those pages.
Read Moreblog
Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).
'Little Miss Flint' is preparing to make Christmas dinner without running water. Again. →
It's Christmastime in Flint, Michigan, and all that Mari "Little Miss Flint" Copeny wants is a Hatchimal. Oh, and to finally have clean water again.
You remember her, right? The adorable 9-year-old beauty queen who wrote a letter to President Obama about her hometown's ongoing water crisis and later got caught in an unfortunate campaign trail photo with Donald Trump?
Mari hasn't had a bath at home under an actual running faucet since April 2014. And it's not looking like that's going to change anytime soon, either.
Read MoreFrom "The O'Reilly Factor," December 20, 2016.
In other news, Bill O'Reilly is still an idiot.
It's frankly embarrassing that Bill O'Reilly could be so oblivious to the blatant subtext of his own words. But sadly, it's the same logic that's used to spook people about "illegal voters." It's not about people of color or women have voting power, they say; it's about people of color and women largely leaning toward the Left.
Respectfully, this is totally B.S.
I actually got an argument about this with a friend-of-a-friend, just a few months back. It started as a discussion about voter ID laws, which I explained had recently been used in places like North Carolina to suppress black votes. "You just want all the black people to vote because they vote Democrat!" the other guy said to me.
"No," I replied. "I want black people to be able to vote because they're US citizens with a right to vote."
(Of course, when the North Carolina GOP got caught in the act of voter suppression, even they argued that it wasn't about race, but about stopping people from voting for the Democratic Party.)
The lesson that the Bill O'Reilly's of the world should be taking away from this is: perhaps there's a reason why POCs and women tend to vote liberal. Maybe, just maybe, it's because conservative platforms are at best, unwelcoming to them, and at worst, actively oppress them? And maybe instead of dividing things up into race and party lines, maybe we need to be looking at what the best ways are to help people, in the ways that we both need and want to be helped, so that we can improve our society as a whole.
(This is not to say that the DNC is necessarily better at handling issues of race, gender, or privilege; but they do at least try to address them, which is more than I can say for the RNC.)
If you do actually want people to stop thinking "in terms of race," then you need to abolish the White Establishment. "True meritocracy," for those who desire it, is also impossible without first abolishing the white establishment. Because issues of race are rooted in the existence of "whiteness" as a concept, which creates tension with those who are deemed "other."
tl;dr — Bill O'Reilly continues to be a loud-mouthed, narrow-minded idiot who refuses to examine his own pre-conceived notions about the world. Surprise?
On the Statistical Anomaly — or not — of White Supremacy
Statistical anomalies can be tragic and regrettable without serving as evidence for anything all.
Less than 50 officers are killed in the line of duty each year on average, not counting accidents or injuries or deaths from illness. In the grand scheme of tragedy, this statistic means that policing is not a particularly deadly career. At the same time, this doesn't preclude officers from being brave and noble individuals worthy of appreciation.
The majority of those officers killed in duty are killed by white Americans.
By contrast, police are responsible for killing around 1000 people each year, and a disproportionate number of those people are black Americans, usually men, and whom in the vast majority of cases, did nothing to elevate the conflict but for existing in a high-tension situation with an armed officer while also being black.
These are all facts.
The photo on the top left was taken during the Black Lives Matter protest in Dallas last night, before further violence took place. This photo represents an ideal situation: if cops are meant to professionally stand against injustice, then it is right that they would stand in solidarity with those suffering from injustice. I like to think that the moment reflected here is an accurate representation of the majority.
The photo on the top right is the tragic reality that black Americans are forced to live with every day, due to the aforementioned statistics of black Americans being killed by cops. Regardless of your feelings towards police, you should be able to empathize with the fear that black Americans are feeling — because it is statistically justified. This is unfortunate, but it's the truth.
(If at any point in this ranting you have thought to interject something to the affect of "But isn't every death tragedy?", you're part of the problem, because that is such an obvious and foregone conclusion that it doesn't even bear clarification.)
At the bottom of this photo, you see a tweet made by a former US Congressman, in the aftermath of last night's protest and subsequent anomalous shooting.
And that tweet at the bottom? That is the source of all of these problems. That is the insidious virus of white supremacy laid bare for all to see, by a white man in a position of power and influence. It still exists today, still oozing like snake venom through the veins of our country.
And it is not a statistical anomaly.
It is men like this who create a system that continues to keep black Americans down 150 years after the formal end of slavery.
It is men like this who pass laws that lead cops — essentially their employees, or at least, the professional enforcers of their will — to profile, punish, and sometimes and with increasing disproportionate frequency kill black Americans.
It is men like this who use their power to appeal to the most rotten fears in the hearts of white Americans, by pointing to statistical anomalies like a sniper at a Black Lives Matter protest and use that as evidence or justification of some greater evil, while ignoring all other steadily persistent evidence to the contrary. It is these same men who will readily classify any white shooter as a "lone wolf" or as "mentally ill" — perpetuating the idea that white people are allowed to be individuals, while all minorities must stand-in as representatives for their entire group.
It is men like this who encourage others like them to deny their human impulse for empathy. It is men like this who are the problem. (And yes, it is men like this who make up the bulk of Donald Trump's support base.)
I try not to be the person who shares every single meme in the wake of every single tragedy, who participates in the back-patting performance art of social media America. I try to stand in solidarity with my black friends, and let them feel their grief, while also knowing that I can never fully grasp what it is like to be in their shoes.
It is 2016 and these 3 photos represent 3 vastly different realities that all coexist in the United States of America today. Do you see the problem now?
This Is What Black People Need To Do If They Want Authority Figures To Treat Them With Respect
Compare with...
And yet, we don't see this...
All comics (which are separate, but thematically connected) written and drawn by Matt Borrs.
Black Female Uses Crowd-Funding To Obtain White Privilege
In a world where people have turned to crowd-funding for such absurd ventures as making a potato salad, producing Breaking Bad sequel fan-fiction starring Val Kilmer and Slash, and continuing to justify Amanda Palmer's wretched existence, Yaya M. (above) had the brilliant idea of using online philanthropy to finally get herself a piece of that white privilege that she's been missing her whole life.
As far as online-performance-art-as-scathing-social-commentary goes, I think this one's pretty fantastic (sorry, @horse_ebooks) (I'm still kind of mad about that). As she explains:
Although I have layered oppressions that have affected my ability to access my slice of the American Pie™, no issue has affected me more readily than my lack of white privilege. From being assumed to have "cheated" my way into programs for gifted children AND college (via affirmative action), to having my natural hair viewed as unprofessional amongst professional peers, to having people make negative assumptions about my competency level, interests, and job knowledge, to being viewed as naturally dangerous or threatening, my lack of white privilege has created numerous obstacles as I've struggled to successfully compete in a white dominated workforce. I am hoping that, through this campaign, I will begin to make some headway towards closing the gap that white privilege has created in my life.Read More
In return for paying for my white privilege, I would love to give you some "black privilege" in return! Yes, it is difficult being a black person but there are some neat perks, as you will discover if you donate!
Smart People Who Are Funny But Then Also Sexy And Plus Smart
Here's a little video I put together for the upcoming world premiere of Lydia R. Diamond's Smart People at the Huntington, which starts previews this Friday and runs through June 29. Check it out!
We've also got one of those fancy 35 Below parties planned for it, after the Friday night performance on May 30. $25 gets you tickets + access to the party, including free drinks and live music. So it's basically a pretty sweet deal. Woohoo!
The Race One, Not The Sci-Fi One
Previews start tomorrow at the Huntington for our stage adaptation of Ralph Ellison's seminal novel Invisible Man. If nothing else, this is simply one of the most stunning visual feats for storytelling I've seen. Here's a little video I put together about the play from interviews I did with the creators and the lead actor playing Invisible Man. Check it out: [youtube=http://www.youtube.com/watch?v=lgoMI-I21Co]
Invisible Man plays Jan. 4 — Feb. 3 at the Avenue of the Arts / BU Theatre.