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Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).

REVIEW: King Dork by "Doctor" Frank Portman

I gave this 4 stars on GoodReads but it's really a 3.5. I'm generously rounding up because it reminded me of my excitement when I got to open up for Dr. Frank's band, the Mr T Experience, in high school.

Overall, I really enjoyed King Dork. Tom was a funny narrator in his anti-Holden-Caulfield-but-still-so-Holden-Caulfield way, and as a former aspiring punk rock star myself, I definitely saw a lot of me and my high school friends in the story. That being said, I was disappointed with the exposition-y ending. As a writer myself, I was somewhat bothered the whole time through with how much of the story was told in summary exposition, but I was willing to give it a pass because it makes sense diagetically with the narrator that this is how he would convey this story (similar to Holden Caulfield in that way). But Tom's main two journeys -- Fiona, and the relationship with his dead father -- were literally summed up and resolved without any effort on his part (even his hospitalization, though it certainly made sense that he wouldn't have a good memory of the specific events leading up to it, was so blasé: "and then I was hospitalized for a month because I got beat up NBD.").

All that being said: it's probably a good book to help get adolescents into classic books and help with their vocabularies (and the glossary was *hilarious*).

Also, the women in the book left...much to be desired. In some ways (again, diagetically, that is, within the world of the story), I got it, because it was absolutely how a 14 year old King Dork would probably talk about and depict women. It certainly sounded like some of my friends at 14, anyway. But as an adult feminist male, it was a little, well, exactly the kind of subtle misogyny that people are finally and rightfully paying attention to, and I wish had been approached with a more deft hand.

Anyway, here's the MTX song "King Dork," which actually has very little to do with the book (which I assume was named more for brand recognition than anything else, as this is generally seen as one of Dr. Frank's "hits," if you will).

REVIEW: The Shambling Guide to New York City by Mur Lafferty

This was enjoyable, but it took me longer to get through than it should have, because I didn't care enough. It's a fun concept, I like the world, but I wish it had either been funnier, or darker (for example, and this is a slight spoiler: if you have a co-worker who's a succubus and feeds on sexual energy, and he tries to seduce your character at a nightclub because he's hungry, and you DON'T find a way to make that a metaphor either for date rape, or a regrettable but consensual one night stand with a co-worker? C'mon! It's right there!). Instead, it was kind of a mediocre middle ground between monsters and tourism that was certainly fun, but nothing remarkable. I loved the idea of Public Works, and the zombies, and some of the characters were still fun (despite the fact that I have literally no idea what the protagonist looked like). By the time the epic ending came around, which I guess was kind of cool, I was more interested in finishing the book than I was in what actually happened to any of the characters (spoilers: they all live happily ever after. lame).

My rating: 2.5 of 5 stars

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How To Live Safely In A Science Fictional Universe

Read this book. I am not even kidding. The latest novel from Charles Yu, How to Live Safely in a Science Fictional Universe is a brilliantly tongue-in-cheek examination of memories and father-son relationships, through the veil of cheeky sci-fi and wacky time travel concepts. Charles Yu (the character, not the author) is a time travel mechanic with a Masters Degree in Applied Science Fiction. While on a quest to reconnect with his estranged father, Charles Yu (the character) accidentally shoots Future Charles Yu (the future character) in the stomach, but not before Future Charles Yu hands him a copy of a book called How to Live Safely In a Science Fictional Universe, which was/is/will be written by Charles Yu (the character. And the author? I don't know).

Charles Yu (the character) also has a dog named Ed that was retroactively erased from continuity and so technically doesn't exist due to a paradoxical causality but, like any good dog, still loves his owner regardless of his own lack of logical existence.

You can read my full review of How to Live Safely in a Science Fictional Universe over at DailyGenoshan.com, but what really matters is that it's one of the best books I've read in the last year, so you should probably pick it up.

New Review: "My Favorite Band Does Not Exist," by Robert T. Jeschonek

I've posted a book review of My Favorite Band Does Not Exist, by Robert T. Jeschonek, over on DailyGenoshan.com, where I'm now a regular contributor. You can read the full review here. Recommended if you enjoy fantasy novels, rock bands, the internet, metafiction, and liking bands before they even exist just so you can tell your friends that you liked them first.* *You like all of these things.