Thom Dunn is a Boston-based writer, musician, and utterly terrible dancer. He is the singer/guitarist for the indie rock/power-pop the Roland High Life, as well as a staff writer for the New York Times’ Wirecutter and a regular contributor at BoingBoing.net. Thom enjoys Oxford commas, metaphysics, and romantic clichés (especially when they involve whiskey), and he firmly believes that Journey's "Don't Stop Believing" is the single greatest atrocity committed against mankind. He is a graduate of Clarion Writer's Workshop at UCSD ('13) & Emerson College ('08).
For those of you who missed the 2nd Annual Boston One-Minute Play Festival, you're in the luck! The whole thing is streaming online here at HowlRound's NewPlayTV. If you don't want to watch the entire thing (which is understandable, it's 2 hours long), my 2 plays are at approximately 28 minutes, and at 48:55.
Also, you might want to fastforward to the end to watch a delightful surprise.
Previews start tomorrow at the Huntington for our stage adaptation of Ralph Ellison's seminal novel Invisible Man. If nothing else, this is simply one of the most stunning visual feats for storytelling I've seen. Here's a little video I put together about the play from interviews I did with the creators and the lead actor playing Invisible Man. Check it out: [youtube=http://www.youtube.com/watch?v=lgoMI-I21Co]
Invisible Man plays Jan. 4 — Feb. 3 at the Avenue of the Arts / BU Theatre.
[youtube=http://www.youtube.com/watch?v=dPwJ-8cGXpI] I say this with no personal bias -- not because my wonderful girlfriend, the producer of this fine production, has been busting her ass for 10 months to make this show as a reality, and not as an employee of the theatre company that is presenting the show.
David Cromer's production of Our Town at the Huntington is one of the Desert Island All-Time Top 5 Most Moving Shared Communal Experiences I have ever had in my entire life.
Perhaps it's especially poignant for me when I think of the friends that I've lost in recent years, but I watched the show on both Tuesday and Wednesday night, and I couldn't stand to watch it for a third time last night for our opening because I was already so overwhelmed with emotion. Three days in a row, and I think I would be eternally reduced to a sobbing puddle of flesh lying in fetal position on the floor. Yes, this show is so good that I literally could not watch it a third time (although I will probably go back at the end of the run, and hopefully catch some things I missed the other 2 times, because there's so much to see in the nothingness of this production, and as the play itself suggests, we can't possibly appreciate all of it when it's happening).
Anyway, there's a video I made up there about the show. I cannot stress enough how powerful and poignant this production truly is. Our Town might be seen as hokey and sentimental and high school-y to many people (though oddly I grew up in Thornton Wilder's hometown and never read or saw the show once, although I did play lots of shitty punk rock shows at Thornton Wilder Memorial Hall), but man, David Cromer just gets it, in a way that'll just blow your mind.
(Also don't read the review in The Boston Globe because [a] it's douchey, [b] IT SPOILS THE END OF THE PLAY, and [c] it's douchey. Yes, Our Town has been around a while, so there are certain spoilers that are now beyond the statute of limitations, but to spoil what makes this production so remarkable -- and to spoil it in such a nonchalant manner -- is awful. If this guy had reviewed The Sixth Sense when it first came out, he would have said "And then it turns out that Bruce Willis was dead the whole time which was totally brilliant and stunning -- I mean, that is to say, if you're one of those people who enjoys brilliant and stunning things or whatever. But otherwise, meh.")
Here's another new video I recently put together, about our upcoming stage adaptation of Ralph Ellison's Invisible Man (the African-American one, not the sci-fi one) at the Huntington. Check it out: [youtube=http://www.youtube.com/watch?v=hW64H2eLPXg]
The Calderwood Pavilion at the Boston Center for the Arts has a very special place in my heart. I was hired there to work as an usher in my first few weeks of college, and it ended up serving as my main place of employment throughout those 4 years. By my Junior year, I had moved up to Assistant House Manager, and started doing some administrative work as well -- which helped leverage me into my current position at the Huntington, as we manage that building as well. (plus my first apartment was right next to it, which was a convenient commute for work, but, well, the story of that apartment is a whole other thing) It's a beautiful modern theatre space with 4 performance spaces as well as rehearsal rooms and more, and it serves a lot of great smaller theatre companies, in addition to our own shows. Here's a video I put together as part of our fundraising campaign at the Huntington, showing the impact that the building has had the community.
[youtube=http://www.youtube.com/watch?v=k22X0VJMskI]
Here's a short little teaser trailer I put together for our production of BETRAYAL at the Huntington. I think this one in particular is pretty neat -- but then again, I might be biased. [youtube http://www.youtube.com/watch?v=08sam5XB6es]
Here's a little behind-the-scenes documentary that I put together for our upcoming production of Harold Pinter's Betrayal at the Huntington. This was one of the first plays to famously explore a nonlinear chronology, which is one of its more interesting qualities (basically, LOST owes a lot to Betrayal). Anyway, check it out. Previews start Friday! [youtube http://www.youtube.com/watch?v=vBcAW2uCqHo]
In an effort to combine my seemingly disparate interests, I pitched an idea for a new column to my editor at Tor.com, focusing on the depiction of sci-fi and fantasy in the world of theatre. People don't typically think of plays as being bastions for weaving elegant tales of aliens and dragons and cyborgs (oh my!), but in fact, you'd be surprised! (In theatre, we just cover up the "genre" gimmick by giving it some pretentious name like "magical realism" or "futurism" etc). Anyway, here's the first of such columns, exploring RUR (Rossum's Universal Robots), a Czech play from the early 20th century that actually introduced the word "robot" to the world.
This year, I had the honor of being asked to contribute two plays to the annual One Minute Play Festival, and I have to say, writing a one minute play is a much bigger challenge than you'd expect it to be. The festival hits the stage in January, and I'll share information about the performances when I have it. In the meantime, I posted one of the plays as my weekly post over at Five By Five Hundred, so you can check it out there. Generally speaking, these plays are meant to be open-ended vehicles for the director, more than a chance for the writer to show his stuff, but I'm pretty happy with the way these turned out.
Now Or Later officially opened this past Wednesday, and we couldn't be happier with the results! Okay, well, I guess we could a little bit, but overall, the reaction has been pretty fantastic for this "heady and provocative" 75-minute political thriller. So here's a little somethin' I put together to show off the overwhelmingly positive audience reaction, along with some footage from the production itself:[youtube http://www.youtube.com/watch?v=CyDJCgUDEKc&w=485&h=273]
...so here's a new video I made about our current production at the Huntington, a prescient new play called Now Or Later that's set on Election Night. While the last piece focused on the First Family drama at the heart of the play, this one explores the eerily relevant politics of the play (which was actually written 5 years ago, but feels like it was written right now. RIGHT NOW). Check it out:
[youtube http://www.youtube.com/watch?v=y8CR3nXxSCU]
We just started rehearsals today (well, rehearsals in Boston; there were a few preliminary days of tablework in NYC) for our upcoming production of Harold Pinter's Betrayal, one of his most highly regarded plays. The show runs November 9 - December 9 at the Avenue of the Arts / BU Theatre, under the direction of Maria Aitken aka the mom of the director on SMASH aka the lady from A Fish Called Wanda aka fucking Maria Aitken. Anyway, here's a video I made of our Artistic Director Peter DuBois talking about the production:[youtube http://www.youtube.com/watch?v=fOhQBRYb-So&w=485&h=273]
Here's my first short documentary about the American premiere of Christopher Shinn's edgy political drama Now Or Later at the Huntington. This video focuses on the personal family relationships at the heart of the play, which is full of eerily prescient political issues, considering it was written 4 years ago.[youtube http://www.youtube.com/watch?v=UQ9GLnvEr_8]
The show runs October 12 - November 10 at the South End / Calderwood Pavilion at the BCA in Boston, and features my good friend (and fellow Emerson alum!) Grant MacDermott in the lead role. You should probably check this one it now or later (now being before Election Day, obviously).
Here's my first video featurette on the Huntington's upcoming American premiere of Now Or Later, an edgy political thriller by Christopher Shinn that's set on election night, in which some inappropriate Facebook party photos of the soon-to-be-President's son get leaked to the public. The show runs October 12 - November 10 at the South End / Calderwood Pavilion at the BCA, and features my good friend Grant MacDermott as John, Jr. Here's Artistic Director Peter DuBois discussing the play. (More to come, obvi) [youtube http://www.youtube.com/watch?v=zUKuJiwdiS8&w=480&h=270]
...this one focusing on the themes of class struggle in America as it pertains to the play. Enjoy! [youtube http://www.youtube.com/watch?v=kjN4VqNf5TI&w=480&h=270]
Here's another video I made for the Huntington's upcoming production of Good People by David Lindsay-Abaire (previews start this Friday!). [youtube http://www.youtube.com/watch?v=2X_Yk1t_Q7Q]Following its successful premiere on Broadway last year, Good People is one of the most produced plays in the country in the coming theatrical season -- but we're the only theatre producing this Boston-centric play in the city of Boston itself. I spoke with the director (an Acton native) and members of the cast (one of whom is from Southie, another from Watertown) about the pressures and rewards of doing this popular new play in the city in which its based. The general consensus seems to be that the city of Boston is in fact the central character of the play, a little bit of universal anthropomorphizing that I can totally get behind (and also feels very noir to me, considering the role that LA plays in the work of Raymond Chandler, hrmmmm....)
(Also, the playwright himself gave his public approval of the piece on twitter. And he's got a Pulitzer. Eat that, Alyssa Milano!)
The first show in our upcoming season at the Huntington is the Broadway hit Good People by South Boston native David Lindsay-Abaire. The show tells the story of a struggling middle-aged single mom in Southie who loses her job and looks up an old flame (who got out of the Southie projects and is now a doctor living in Chestnut Hill) to help her out. It's a powerful, Boston-centric play that focuses on class issues in America in ways that are remarkably relevant to the country right now, and that frankly, aren't actually addressed that much in American theatre. But enough of that. Here's a little teaser trailer I put together for the show, chronicling the physical journey from South Boston (Corner of F and Tudor, to be precise) to Chestnut Hill on the MBTA, mimicking Margie Walsh's own journey in the second act of the play. Hear you me: it was a long ride.
(also, don't ever call me Thommy)
[youtube http://www.youtube.com/watch?v=Oh03l2Ds2jU&w=480&h=270]
Good People plays September 14 - October 14 at the Avenue of the Arts / BU Theatre. AND, if you're under 35 (which I suspect most of you reading my website are...) tickets are only $25, and we've got a sweet party coming up on September 14, where your ticket also includes a live band and free drinks after the show.
Over at the Huntington, we're gearing up for the start of our 2012-2013 Season, and the first show in the lineup is David Lindsay-Abaire's Broadway hit Good People, which tells the story of a single mom struggling to get by in South Boston who looks an old flame now living in Chestnut Hill. Here's a little video I put together of the design presentation at the first rehearsal, featuring director Kate Whoriskey and scenic designer Alexander Dodge. They've got a pretty exciting approach to bringing the streets of Southie to the stage (plus, Alexander's set models are meticulously detailed at such a small scale). Check it out: [youtube http://www.youtube.com/watch?v=videoseries?list=UUHKZbbNa2IRgasTR7D92ApA&hl=en_US]
Good People plays September 14 - October 14, 2012 at the Huntington's Avenue of the Arts / BU Theatre.
Before I run away to Florida and sleep for 2 weeks straight because I need it, here's a final roundup of more reviews for the world premiere of True Believers:
"Dunn's script is smart and sharply written. He creates memorable and believable characters set in this world who many of us can either relate to, or just be familiar with. The comedic moments are great and chock full of fantastic one liners. He also is able to create strong and powerful dramatic moments that help balance the comedy. It doesn't become a parody, but a snap shot of what this world could very well be like. What else can be said about this show except only more praise?" - MuffinEatsDragon.com"I was impressed with this show for many reasons, but the foremost was the interesting, thoughtful story that they told extremely well. The second is that it spoke authentically to the nerd fringe community. I know, ‘nerd culture’ is the hip thing right now with comic book movies dominating the box office, but I agree with the sentiment that this newfound cash cow does not represent the community in a real way. Though it does help to normalizesome nerd culture. True Believers by Thom Dunn feels like a play that intimately knows what conventions are like. Their lights are clever, their sound is full of hilarious nerdy references, the script is clever, the characters are interesting, and the actors are brilliant. I could not recommend this show more." - My Entertainment World
And to top it off, we were the Pick Of The Week in RadioBoston! All in all, I'd say that's not so bad for a nerdy little play about a comic book convention.
Now without any further ado, I'm going to retreat and recuperate for a few years. You'll hear from me eventually...
Here's a little peek at True Believers, for those of still waiting / unable to see it (or for those of you who want to relive the experience). All photos by Paul Cantillon / LIDEC Photo.[slideshow]